CAMP is led by two Co-Directors, Megan Wilson and Christopher Statton and is governed by its fiscal sponsor Independent Arts & Media. CAMP has an Advisory Board that helps to provide direction on organizational development and a Board Steering Committee that actively supports day-to-day operations. Below is a brief overview of the role of the Fiscal Sponsor and the principles that guide the Advisory Board’s composition, recruitment, and development; and bios on its Advisory Board members, Board Steering Committee directors, and the contract position, Community Initiatives Director.
Fiscal Sponsor – Independent Arts & Media
Independent Arts & Media enables CAMP to receive tax-deductible donations and grants from individuals and organizations, as well as many additional services and support, including bookkeeping and accounting.
CAMP Adivsory Board
CAMP has an Advisory Board that offers guidance to the co-directors and provides advisory support for the organization’s operational, programming, and organizational efforts. Board members are selected for a three-year term, but are allowed to serve indefinitely. The Board meets throughout the year as needed. This current body of 9 members provides guidance for the organization. Board members are selected for a 3-year terms and are allowed to serve for an indefinite number of terms.
As part of its 3-Year Strategic Capacity Building Plan CAMP determined it was necessary for the health and growth of the organization to create a core Board Steering Committee comprised of four new positions. These positions include: Development Director, Community Engagement Director, Programming Director, and Social Media Director. The anticipated outcome of this effort is that CAMP will have solid human resources, financial resources, and structure in place to support the organization’s programming and ability to fulfill its mission.
CAMP’s current Advisory Board members represent expertise in the following areas: public art, non-profit development, management & planning, community building, conflict resolution, film and video, education, social sciences, journalism, translation, community organizing and activism, and social media content creation and management. All are deeply committed to the vision of CAMP as a community, a public space, and an organizing force that uses murals and street art as a means for supporting political, economic, and social justice messaging. Additionally, the Advisory Board is committed to ensuring that its members are diverse and reflect the communities the organization works with and represents. Of note, at least half the Advisory Board must be made up of people of color and at least half the board must be made up of women. CAMP’s current Advisory Board is comprised of six first generation immigrants.
Current Advisory Board members include: Megan Wilson (Steering Committee Member), Christopher Statton (Steering Committee Member), Ivy McClelland, Susan Greene, Fara Akrami, Kyoko Sato, Anabelle Bolaños, Shaghayegh Cyrous (Steering Committee Member), Keyvan Shovir (Steering Committee Member), and Rigo 23 (emeritus).
Megan Wilson, CAMP Co-Director and Steering Committee Member – Director of Development
Megan Wilson is a visual artist, writer, and activist based in San Francisco. Known for her large-scale installations, public projects, and street art, she incorporates a broad range of pop culture methodologies and aesthetics to address conceptual interests that include home, homelessness, social and economic justice, anti-capitalism, impermanence and generosity. Wilson has been a core organizer of CAMP since 1998 and co-director 2001-2005 and 2010 – present. In 2003 she curated, co-organized, and raised the funds for the international exchange and residency Sama-sama/Together, a collaboration between community arts organizations and artists from the San Francisco/Bay Area (USA) and Yogyakarta (Indonesia) designed to foster understanding between Muslim and non-Muslim cultures following 9/11. The book Sama-sama/ Together that chronicled the project, was published in 2006 by Jam Karet Press in Indonesia. In 2015 Wilson participated with CAMP co-director Christopher Statton in the Geneng Street Art Project #3 in Yogyakarta. In 2018 she co-directed and co-organized (with Christopher Statton and Nano Warsono) CAMP’s second international exchange and residency project, Bangkit /Arise between artists from Yogyakarta and San Francisco/Bay Area in collaboration with the Asian Art Museum of San Francisco. The second phase of the project will take place in 2019. Wilson received her BFA from the University of Oregon and an MFA from the San Francisco Art Institute.
Wilson has also worked in non-profit development, planning, management, and visibility for over 20 years, ranging from in-depth strategic planning and organizational development to grant writing and research. In addition, she has extensive experience with program development, community organizing, and social and economic justice activism. The size of the organizations she has worked with has ranged from $50,000/yr budget to 6M/yr budget. Organizations she has worked with include: The Gubbio Project, Art Forces, Chinese Whispers, Clarion Alley Mural Project, the Roxie Theater, Urban Peace Movement, The Luggage Store/509 Cultural Center, Portola and Excelsior Family Connections, California Latinas for Reproductive Justice, Oasis For Girls, Oakland Leaf, Creative Growth, SOMCAN (South of Market Community Action Network), Streetside Stories, Young Women United for Oakland, Global Footprint Network, Youthspace, APIAHF (Asian Pacific Islander American Health Forum), TILT (Teaching Intermedia Literacy Tools), Southern Exposure, Meridian Gallery, NCCJ (the National Conference for Community and Justice, formerly the National Conference of Christians and Jews), and Samaritans (Boston).
Christopher Statton, CAMP Co-Director, Steering Committee Member – Director of Community Engagement
Christopher Statton is an artist, arts administrator, and community activist based in the San Francisco Bay Area. Working hands on within the social justice and arts communities for over a decade, Statton served as Executive Director of San Francisco’s Roxie Theater, blocks away from Clarion Alley, overseeing the theater’s transition to a non-profit community-based independent film venue. Statton became involved with Clarion Alley Mural Project as part of its 20th anniversary, joining CAMP’s organizing committee for the Block Party celebration. Since then, Statton has collaborated or individually painted six murals on The Alley and one off site project as part of the Geneng Street Art Project #3 in Yogyakarta. As a community organizer and activist, Statton co-founded Better Homes and Gardens Today with collaborator Megan Wilson and in 2007 co-founded Sidewalk Sideshow, both projects working directly with or through organizations serving the street communities and people experiencing homelessness. In 2013, Statton was the recipient of The San Francisco Film Critic Circle’s Marlon Riggs Award for courage & vision in the Bay Area film community and received The San Francisco’s Board of Supervisor’s Certificate of Honor, sponsored by District 9 Supervisor David Campos. An alumnus of the postgraduate Organizational Leadership program at The Saïd Business School, Oxford University, Statton is co-directing and co-organizing (with Nano Warsono and Megan Wilson) CAMP’s second exchange project, Bangkit / Arise between artists from Yogyakarta, Indonesia and San Francisco/Bay Area, USA in collaboration with the Asian Art Museum of San Francisco. Statton is also a member of the San Francisco Poster Syndicate.
Shaghayegh Cyrous, Advisory Board Member, Steering Committee Member – Director of Programming
Shaghayegh Cyrous is an artist and curator who began her art practice in Tehran with urban installation, performance, and photography. Since moving to the Bay Area in 2011, her work has dealt with cross-cultural communication and translation, addressing predicaments of estrangement and distance caused by political and cultural power dynamics. She incorporates interactive time-based strategies such as social practice, participatory performances, and digital technologies such as live video chats. She received her BA in Visual Art from Science and Culture University in Tehran and her MFA in Social Practice from California College of the Arts. She has exhibited, performed, and curated at venues internationally including Tehran MOCA, Saba Museum in Tehran, Asian Art Museum in San Francisco, Jane Addams Hull House Museum in Chicago, British Museum in London, Anchorage Museum, and SFMOMA.
Keyvan Shovir, Advisory Board Member, Steering Committee Member – Director of Social Media
Keyvan Shovir is a multidisciplinary artist and muralist who was born in Tehran and moved to the US in 2013. Before his immigration his work focused on social issues, including the rights of women and children, and political messaging through Persian calligraphy and Street Art. Since he moved to the United States his work has shifted to explore current political situations, using narration and storytelling from the past with its juxtaposition to the present. The narrative of Shovir’s work is rooted in his Iranian heritage through literature, history, Persian myth, language, and the experiences of colonization and imperialism. He uses sculptural sound installations, murals, and paintings to explore these subjects and narrations. His work has been widely exhibited and presented in the United States, Iran, Turkey, England, Italy, Sweden, and Dubai. Shovir received his MFA from California College of Arts in 2018, and is currently living and working in the SF/Bay Area.
Ivy Jeanne McClelland, Advisory Board Member
Ivy Jeanne McClelland is a queer artist, public health activist and long time San Francisco resident involved with CAMP since 1998. She is interested in the intersection between art and public health, using art as a mediator to rewrite and envision new narratives for community mental health. After the 2010 earthquake in Haiti, McClelland co-founded Jakmel Ekspresyon Community Arts Center, a safe space for expression open to all with a focus on women, queer and disabled artists in Jacmel, Haiti. In 2012, she developed the Healing Arts Collective (HAC) model as a creative, holistic and community-led approach to trauma using theater, dance, poetry and movement. She has initiated HAC projects with Hurricane Sandy survivors in Coney Island, Asian Pacific Islander political refugees, earthquake survivors in Jacmel, Haiti and LGBTQ homeless youth. Healing Arts Collective was convened as part of the exhibit The Possible at Berkeley Art Museum and as part of the exhibit SPARKMakers Thinkering School at Yerba Buena Center for the Arts in 2014 and 2015 respectively.
Susan Greene, Advisory Board Member
Susan Greene PhD, is an international social art practitioner, educator and clinical psychologist and Founder of Arts Forces. Her work uses multi-media to reveal hidden or obliterated narratives and histories. She focuses on the borders and migrations involving memory, decolonization, environmental justice and the relationships between creativity, trauma and resilience in the context of globalism. Greene’s work aims to transgress and challenge boundaries, ignorance, repressions and most of all silence and indifference. Greene has led or participated in more than 30 public art projects worldwide. In addition to acting as Director of Art Forces, Greene is the author of ongoing Bending Over Backwards, a work partially funded by San Francisco Arts Commission, consisting of 35-foot high trapeze artists. La Lucha Continua/The Struggle Continues; a mural located in the Mission features 35 portraits of activists, philosophers and artists and their recorded voices accessible via cell phone. Greene has been involved with CAMP since 1996 and is one of the muralists featured in the Redstone Labor Temple Project. Originally from NYC, Greene has been a resident of the Bay Area for 30 years. She was visiting faculty and director of the Learning Center at the San Francisco Art Institute from 2000-2011. She has a psychotherapy practice in San Francisco.
Kyoko Sato, Advisory Board Member
Kyoko Sato, Ph.D. is a social scientist and educator who specializes in the politics of technology. She is particularly interested in the human capacity to reflect on the past and imagine the future in the intersection and interaction of science, technology, and society. In her current research project on the politics of nuclear governance in post-WWII Japan and the United States, she takes interdisciplinary approaches to explore not only political actions of stakeholders and various institutional arrangements, but also how nuclear technology has been understood, imagined, and represented in the media, the arts, and the public discourse. Born and raised in Tokyo, Sato received her B.A. in English from the University of Tokyo, M.A. in journalism from New York University, and Ph.D. in sociology from Princeton University. Before entering the academia, she reported on various social issues in Japan as a staff writer at The Japan Times, an English-language daily in Tokyo. She currently teaches and conducts her research at Stanford University as the Associate Director of the Program in Science, Technology, and Society.
Anabelle Bolaños, Advisorty Board Member
Anabelle Bolaños was born and raised in Masaya, Nicaragua. Her second home is the Mission District in San Francisco where she enjoys a community-active life, with her two dogs Xochi and Tubby. She believes in resistance through the preservation and nurturing of the mural movement, and the neighborhood’s Latino roots. Anabelle has been involved with CAMP since 2015 as one of the muralists/activists working with the Anti-Eviction Mapping Project to paint the mural Narratives of Displacement.
Fara Akrami, Advisory Board Member
Rigo 23, Board Member, Emeritus
Rigo 23 (Ricardo Gouveia) is an artist, muralist, painter, and political activist born and raised on the Portuguese island of Madeira. He later established himself as an artist in San Francisco, earning a BFA from San Francisco Art Institute in 1991 and an MFA from Stanford University in 1997. Rigo is a founding member of Clarion Alley Mural Project and currently sits on the Board of Directors. He is considered by art critics and curators to be part of the first generation of the San Francisco Mission School art movement. The bulk of Rigo’s work more literally highlights world politics and political prisoners from the Black Panthers and the Angola Three to Mumia Abu-Jamal, whose conviction for the murder of a policeman is contested, and the American Indian Movement’s Leonard Peltier. He is a professor at The San Francisco Art Institute as well as designed several installations as part of the 2006 Liverpool Biennial. Rigo has received awards for his work including – The Chauncey McKeever Award (San Francisco Art Institute), The WESTF/NEA Regional Fellowshipfor Visual Arts, Best Public Art Project of the Year “One Tree” (San Francisco Bay Guardian), Stoli San Francisco Arts Achievement Award Secession Gallery Visual Art Residency Fellowship Award (Taiwan), SECA Art Award (San Francisco Museum of Modern Art), The Louis Comfort Tiffany Foundation Biennal Award (New York, NY), Fleishhacker Foundation Eureka Fellowship (CA), Brown University’s Howard Fellowship (Providence, RI), and The Walter and Elise Haas Creative WorkFund (SF, CA with Luggage Store Gallery).
In addition to creating a Board Steering Committee, CAMP has also hired a new 5 hours/week contract position to oversee community initiatives as part of its 3-Year Strategic Capacity Building Plan. We look forward to working with Eva to expand our community engagement efforts, including CAMP’s role in the expansion of the Latino Cultural District and working to launch or support an already existing Community Ambassador Program.
Eva Mas Silberstein
Community Initiatives Director
Eva Mas combines community organizing, visual arts, education, music, and social work, to support underserved communities and help the Mission District not just survive but thrive.
Child of Jewish Chilean and Catalan activist academics who met in Berkeley in the early 70s, Eva grew up with an awareness and passion for Social Justice and the Arts. They moved to Catalonia as a child and grew up there, graduating from the Autonomous University of Barcelona with a degree in Sociology.
After some nomadic years in Portugal, The Middle East and Latin America, Eva set roots in San Francisco’s Mission District in 2012. As an intern at Precita Eyes Muralists, they participated in several large projects including the restoration of Maestrapiece, the United Playaz Mural, and the Bernal Heights Library Painted Tile Mosaic. Almost immediately after arriving to the Mission, Eva co-founded Banda Sin Nombre.They also rapidly became involved in the fight against displacement and evictions, and were a part of first Google Bus blockades which supported different Mission based resisting communities in joining forces to fight tech-related gentrification. Together with Anabelle Bolaños (Board member of CAMP) and other other artists and activist, Eva helped paint the Anti-Eviction Mapping Project Mural Narratives of Displacement lead by Carla Wojczuk on Clarion Alley.
After spending several years working in education, including autobiographical story-telling with Latinx newcomers; Toddler Art and Youth murals, Eva focused their work on an urgent problem in San Francisco: homelessness. Under the mentorship of Laura Guzman and Vero Majano, Eva acquired a deep knowledge and commitment to harm reduction practice and housing advocacy as well as mastering de-escalation skills. Eva dedicated several years to this work at Hospitality House, Mission Neighborhood Resource Center, Mission SRO Collaborative, the first Navigation Center (Mission) and the Youth Program of the LGBT Center. They currently work in the area of Community Engagement at Clarion Alley Mural Project, as well as at Artforces and at CivicMakers. As CAMP’s Director of Community Initiatives, Eva frequently represents Clarion Alley locally, and fosters community partnerships and collaborations. They are also supporting CAMP in tackling a problem increasingly arising in the alley: hate crimes that target both murals and unhoused neighbors.